English Dub Review: Roll Over and Die “The Beginning and the End”
Overview
Based on the Japanese light novel series written by Kiki and illustrated by Kinta, Flum Apricot follows a heroine born with the peculiar “Reversal” Affinity, leaving her with zero stats in every area. Prophesied by the God Origin to join the Hero’s party and defeat the Demon Lord, Flum’s journey quickly turns grim when the party’s sage, Jean Inteige, betrays her, selling her into slavery and casting her to ghouls for sport. Armed only with a cursed sword that threatens her life, Flum discovers the true power of her Reversal Affinity, which forces her to confront death, defy betrayal, and rise above injustice!
Our Take
The opening leans heavily into dark fantasy territory, framing Flum’s story around indispensability, betrayal, and survival, with an immediate emphasis on how the divine, heroic, and social systems fail those who don’t fit neatly into them. Flum Apricot begins her journey as an anomaly in a world obsessed with numbers and usefulness. Her mysterious Affinity, “Reversal,” marks her as a burden rather than a blessing, and the series quickly establishes a harsh fantasy setting where worth is measured brutally and compassion is scarce.
The premiere makes its intentions clear: this is a bleak, confrontational take on the increasingly familiar “banished from the hero’s party” trope. While the premise itself isn’t new, the execution stands out through its violence, cruelty, and refusal to soften the consequences of betrayal. Flum’s struggle is defined less by empowerment fantasy and more by endurance, as the story foregrounds despair, moral rot, and the discomfort of watching a fundamentally powerless character navigate a world stacked against her. That said, the writing can be heavy-handed, often spelling out villainy and motivations rather than allowing tension and nuance to develop naturally.
Overall, for a series premiere, this delivered a grim and provocative opening that’s carried by atmosphere, brutality, and an intriguing core idea, even as it stumbles in subtlety and restraint. It doesn’t reinvent its genre, but it does commit fully to its darker tone, pairing bleak storytelling with a striking opening theme and a premise that hints at deeper thematic ambition. Whether it evolves beyond its rough edges remains to be seen, but as a first impression, it’s unsettling, earnest, and compelling enough to justify cautious curiosity in the future.






"There are also other characters that come and go (also owned by the Warner Bros. Discovery conglomerate media company)."
Huh. Is that just referring to other characters from the show itself, or is this implying that the new season is going to have cameos from other WBD IPs