English Dub Season Review: I’ve Been Killing Slimes For 300 Years And Maxed Out My Level Season Two

Based on the Japanese light novel series written by Kisetsu Morita and illustrated by Benio. The story picks up from the events of season one, as the newly reincarnated Azusa Aizawa has resolved to live a slow life forever. At that point, she would have never even thought of reaching level 99 through only killing slimes, let alone becoming the strongest being on the continent. Nevertheless, it is due to her strength and kindness that many girls from different backgrounds and walks of life have been drawn. With her ever-growing circle of companions, Azusa’s laid-back adventures are far from over. With even more girls appearing on her doorstep, her already enjoyable life is slated to become even livelier!

On the technical side, Season 2 was animated by Teddy Studio and directed by Kunihisa Sugishima, with Naohiro Fukushima handling series composition, Hikaru Kodama designing the characters, and Keiji Inai returning to compose the series’ music. The opening theme song is “So Lucky”, performed by Yui Ogura, while the ending theme song is “Eeny, Meeny, Miny, Moe” performed by Aguri Ōnishi.

This season has taken a noticeably different approach, often zeroing in on a single character per episode rather than balancing the entire ensemble equally. At the same time, there have been exceptions, such as the obligatory beach episode that featured the whole cast. But most episodes focus heavily on new or individual characters. Unfortunately, this shift has led to some favorites receiving less screen time, which can feel like a disservice to the show’s diverse and charismatic cast.

One of the most significant issues with Season 2 is its uneven handling of the ensemble dynamic. Early on, this became apparent in episodes where only a few family members outside of Azusa were given meaningful roles, such as the slime twins, who fortunately received proper attention and remain fan favorites. However, as the season progressed, some episodes—like the one centered on the dragons—relied on repetitive jokes that failed to sustain interest. The two most recent installments further highlighted the lack of balance, skipping story arcs that would have included more of Azusa’s family, and making it clear that the season’s pacing and character utilization could have been better planned, especially by those familiar with the original light novel and manga.

The season continues the lighthearted, slice-of-life fantasy tone that defined its predecessor, but it falls short of the first season’s freshness and pacing. While still cozy and occasionally heartwarming, much of the charm feels diluted. The motherhood arc involving the Droplets and the children stands out as a bright spot, restoring some of the emotional depth and creativity that originally made the series lovable. Despite some dull moments and a slower tempo, the show remains an easy, relaxing watch for those already invested in the characters.

Visually, the series maintains a consistent aesthetic despite the change in studios and creative teams. The animation, however, is limited and simplistic, with many shortcuts taken to keep production efficient. Although the visuals are colorful and the character designs retain their cuteness and charm, the animation lacks fluidity and excitement. The music complements the series’ gentle tone well, with unobtrusive melodies that support the mood without drawing too much attention to themselves. This understated presentation matches the show’s intent to be a soothing, low-key experience rather than a spectacle.

Overall, Season 2 delivers a comfortably familiar slice-of-life fantasy that will satisfy fans, but it doesn’t quite capture the novelty and balanced charm of the first season. It’s not a groundbreaking continuation, but its warmth, dry humor, and occasional emotional moments make it a worthwhile watch for those who appreciate its relaxed pace and character-driven storytelling.