Anime

English Dub Review: The Villainess Is Adored by the Prince of the Neighbor Kingdom “A Love That Begins with the Ending”

By David King

January 26, 2026

OverviewBased on the Japanese light novel series written by Puni-chan and illustrated by Akeno Naruse, the story follows a modern Japanese woman who dies and is reborn inside the otome game Lapis Lazuli Ring. Yet not as the heroine, but as Tiararose Lapis Clementille, the game’s designated villainess and fiancée of Prince Hartknights. On the eve of her scripted downfall, she regains memories of her past life and realizes the engagement is doomed, only for events to spiral when Hartknights publicly condemns and casts her aside in favor of the heroine, Akari. Just as exile looms, the prince of a neighboring kingdom intervenes…Our Take Much like something else I’ve covered before, the setup is fundamentally an isekai wrapped in Dating Sim/Romance game trappings: after dying in her previous life, an ordinary girl awakens inside a dating sim she once played, now trapped in the body of Tiararose, the game’s designated “mean girl” villainess. A sudden betrayal triggers her memories and the realization that she’s standing at the edge of a scripted downfall, forcing her to navigate a world that already expects her failure. Rather than panicking or leaning into cruelty, Tiararose approaches her fate with surprising composure and self-awareness, using her knowledge of the game’s routes to question how fixed the narrative really is and to quietly maneuver away from the bad endings waiting for her.What initially sets the series apart is its eagerness to reshuffle familiar villainess tropes, introducing new players and altered dynamics early on to create uncertainty even for genre veterans. Unfortunately, that ambition isn’t always supported by the writing, as the pacing can feel simultaneously rushed and stagnant, character motivations are occasionally underexplained, and certain developments stretch internal logic. While the shoujo-inspired visuals and music lend the show a pleasant, nostalgic charm, the narrative too often leans on genre shorthand instead of fully earning its dramatic turns, making the experience engaging in concept but uneven in execution.Overall, for a series premiere, this offered a familiar yet approachable take on the otome isekai villainess formula, polished, easy to follow, and firmly rooted in genre expectations. Its strengths lie in its shoujo-inspired visuals, romantic framing, and instantly recognizable archetypes, while repetition and uneven narrative logic prevent it from feeling truly distinctive. For fans already invested in villainess stories and isekai romance, the debut delivers enough charm and promise to warrant continued interest, even if it doesn’t fully escape the genre’s growing sense of familiarity.